The Great Cumberland Raid By John Paul Strain McNeill's Rangers John B. Fay, Lt. Jesse McNeill, Lt. Isaac S. WeltonSgt. Joseph W. Kuykendall, Erasmus Tucker, C. Ritchie HallarSgt. Joseph L. Vandiver Emmanuel Episcopal Church - Cumberland, Maryland - February 21, 1865 Signed Studio Canvas GicléeCondition: NewLimited Edition size: 95Image size: 25" (h) x 16 1/2" (w)Handling time ranges from 2 biz days - 3 wksPlease let us know if you need a specific dateThis stunning canvas ships free via FedEx, rolled in a tubeARTIST DESCRIPTION: "On the night of February 21, 1865 a heavy snow storm blanketed the countryside of Western Virginia and Maryland. Although difficult to travel in, the weather was ideal for masking the movements of McNeill's Rangers raid across the country into the town of Cumberland. That night the Rangers had covered over 30 miles in rugged mountainous terrain as they quietly entered the outskirts of the city, passing the historic Emmanuel Episcopal Church. Silently they crossed the bridge over Will's Creek and up Baltimore Street, their horses' footsteps muffled by the snow. The Rangers split up into two squads as they approached their objective, the Revere House and Barnum house. A couple of the men began to whistle "Yankee" tunes for the sentries posted there. Sgt. Kuykendall took his squad of 10 men to the Barnum House and captured US Major General Benjamin Kelly, arousing him from sleep. Sgt. Vandiver's squad of 10 men quickly entered and secured the Revere House and absconded with US Major General George Crook. The Rangers with their two important prisoners headed back the way they came down Baltimore Street. They crossed over the Chain bridge to a nearby stable where fresh horses were drafted into service for the Confederacy. The raiding party headed for home at a fast pace. After covering about 4 miles the boom of a cannon was heard echoing through the mountains announcing the alarm had been sounded. Soon Federal cavalry was in hot pursuit. The Rangers and their prisoners would need to cover nearly 60 miles to find safety. But first they wanted to show off their great prizes to their friends and sweethearts in Romney and Moorefield. As the Rangers paraded through Romney, they proudly waved their captured Federal flags, as astonished citizens watched two Federal Major Generals ride by. The Rangers then headed towards Moorefield to display their hard won trophies to their hometown brethren. But outside Romney the Federal cavalry from Cumberland had caught up. A brief exchange of gunfire erupted and the boys in blue retreated. Upon reaching the Moorefield valley the Rangers were again intercepted by another Federal force of cavalrymen. A whole battalion of Ringgold Cavalry from New Creek suddenly appeared on the opposite bank of the river. With their horses played out, and no way to successfully make Moorefield, Lt. Jesse McNeill led his men into the woods following hunting trails along the mountain ridges east of Moorefield for seven more miles where they camped for the night. The McNeill's Rangers had ridden over 90 miles in twenty-four hours in the worst conditions and captured two Major Generals. It was one of the greatest raids of the war between the states. Even one of the captured generals, George Crook said, "Gentleman, this is the most brilliant exploit of the war!" Although the war would soon be over, McNeill's Rangers had forever marked their place in American history." ABOUT JOHN PAUL STRAIN: Mr. Strain and his paintings have been featured on the television shows of C-Span's Washington Journal, The History Channel, and Extreme Makeover Home Edition. Throughout his long career, he has won many awards for his art. Reproductions of his work have won numerous 1st place awards and "Best of Show" honors, such as the PICA Awards, The Printing Industry of the Carolina's, and at the PIAG Awards in Georgia. Strain is also a featured artist for internationally known collector art companies the Bradford Exchange and the Franklin Mint for which he has created a Civil War Chess Set, several limited edition plate series, sculptures, and many other collectible items featuring his paintings. He has completed a number of commissioned works for the United States Army, which are on permanent display at Fort Leavenworth, Kansas, Fort McNair, Washington D.C., and the battlefield visitor's center at Normandy, France. In 2010 Mr. Strain won the Henry Timrod Southern Culture Award presented by the Military Order of the Stars and Bars - Descendants of Officers of the Confederacy. In 2017 Mr. Strain was unanimously chosen by the Board of Directors of the General N.B. Forrest Historical Society for the “Forrest Distinguished Artist of the Year Award” Notably his work has been collected by many US Senators, US Congressmen, State Governors, music and Hollywood celebrities. His work can be found at the United States Pentagon, and assorted United States Navy Military War Ships currently in service. Today, his original paintings can be found in many noted museums such as the Museum of Fredericksburg, and at Thomas Jefferson's home, Monticello. Over 90,000 pieces of limited edition art and original paintings of John Paul Strain's has been sold and enjoyed worldwide! Options:Archival Paper Giclées200 S/N Paper Giclées - $27550 Artist's Proof Paper Giclées - $375Image Size 24" x 33 3/4" Canvas Giclées95 S/N Studio Canvas Giclées - $275 (here) 10 Artist's Proof Studio Canvas Giclées - Sold OutImage Size 16 1/2" x 25" 65 S/N Classic Canvas Giclées - $57510 Artist's Proof Classic Canvas Giclées - $675Image Size 22 1/2" x 34" 5 S/N Executive Canvas Giclées - $12002 Artist's Proof Executive Canvas Giclées - Sold OutImage Size 26 1/2" x 40"
| All Returns Accepted | ReturnsNotAccepted |
| Artist | John Paul Strain |
| Unit Of Sale | Limited Edition (95) |
| Signed By | John Paul Strain |
| Size | Medium (up to 36in.) |
| Framing | Unframed |
| Year Of Production | 2000-Now |
| Unit Type | Unit |
| Original/Licensed Reproduction | Reproduction |
| Item Height | 25 in |
| Style | Historical Realism |
| Features | Signed |
| Handmade | Yes |
| Item Width | 16 1/2 |
| Culture | American |
| Time Period Produced | 2000-Now |
| Signed | Yes |
| Period | Historicism (1850-1900) |
| Material | Canvas |
| Certificate Of Authenticity (COA) | Yes |
| Type | Painting |
| Theme | Civil War |
| Country/Region Of Manufacture | United States |
What stands out about this medium work, up to 36in., is the easy mood it brings to everyday rooms.